Short Biography

Silvio Lorusso is a writer, artist and designer based in Rotterdam, the Netherlands. In 2018 he published his first book entitled Entreprecariat. He is an assistant professor and vice-director of the Centre for Other Worlds at the Lusófona University in Lisbon. Lorusso holds a Ph.D. in Design Sciences from the Iuav University of Venice.

Medium Biography

Silvio Lorusso’s work focuses on the cultures and rhetorical regimes embedded in techno-social systems. His practice combines various media such as video, website, artist’s book, installation, lecture. This activity is further stimulated by writing essays, curating exhibitions and organizing public programs. In 2018 he published his first book entitled Entreprecariat (Onomatopee, English; Krisis, Italian). Silvio Lorusso is an assistant professor and vice-director of the Centre for Other Worlds at the Lusófona University in Lisbon, a creative coding tutor at the Royal Academy of Art in Den Haag and a lecturer at the Design Department of the Sandberg Institute. He is a member of Varia, the Center for Everyday Technology, as well as part of the editorial board of Italian graphic design magazine Progetto Grafico. His work has been presented at, among other venues, MaXXI, Rome; Transmediale, Berlin; The Photographers’ Gallery, London; Kunsthalle Wien. His writing has appeared in several magazines and publications, including Volume, Real Life Magazine, Not, Modes of Criticism.

Long Biography

Silvio Lorusso’s work focuses on the cultures and rhetorical regimes embedded in techno-social systems. He deals with the narratives and counternarratives that define platforms, devices and interfaces. By doing so, he engages with the tensions surrounding notions of labour, productivity, autonomy, self-design, entrepreneurialism, precarity and failure. Lorusso’s practice combines various media such as video, website, artist’s book, installation, lecture. This activity is further stimulated by writing essays, curating exhibitions and organizing public programs. In 2018 he published his first book entitled Entreprecariat: Everyone Is an Entrepreneur. Nobody Is Safe. (Onomatopee, English; Krisis, Italian).

Silvio Lorusso is an assistant professor and vice-director of the Centre for Other Worlds at the Lusófona University in Lisbon, a creative coding tutor at the Royal Academy of Art in Den Haag and a lecturer at the Design Department of the Sandberg Institute. He is a member of Varia, the Center for Everyday Technology, as well as part of the editorial board of Italian graphic design magazine Progetto Grafico. His work has been presented at, among other venues, MaXXI, Rome; Transmediale, Berlin; The Photographers’ Gallery, London; Kunsthalle Wien; NRW-Forum, Düsseldorf. He holds a Ph.D. in Design Sciences from the School of Doctorate Studies of the Iuav University of Venice. His writing has appeared in several magazines and publications, including Volume, Real Life Magazine, Minima&Moralia, Not, Modes of Criticism, Printed Web 3, Metropolis M, Ludica, Digicult. Since 2013, he manages the Post-Digital Publishing Archive (p-dpa.net). He lives in Rotterdam.

Photos: portrait by Joseph Knierzinger, portrait by Tjaša Kalkan, portrait by Fulvio Orsenigo, portrait by Tanja Kanazir.

Teaching

• 2021 – present
  • Assistant Professor and Vice-Director of the Centre for Other Worlds at the Lusófona University in Lisbon (PT)
• 2020 – present
  • Tutor at the Sandberg Institute, Design Department MA, Amsterdam (NL)
• 2018 – present
  • Creative Coding Tutor at the Royal Academy of Art, Graphic Design Department BA, The Hague (NL)
• 2020 – present
  • Lecturer in Sociology of Cultural Processes at the Abadir Academy, Catania (IT)
• 2018
  • Guest Lecturer at Piet Zwart Institute, Master in Experimental Publishing, Rotterdam (NL)
• 2016
  • Graphic Design Tutor at CFP Bauer, Milano (IT)

Certification: Basic Qualification in Didactic Skills (BDB), Part A (BKE+)

Silvio lectured and presented his work at Royal College of Art, London (UK); Willem de Kooning Academy, Rotterdam (NL); Design Academy Eindhoven (NL); HEAD Géneve (CH); Pratt Institute, New York (US); Konstfak (SE); AKV|St.Joost, Breda (NL); École de recherche graphique, Bruxelles (BE); Coventry University (UK); Accademia Carrara di Belle Arti, Bergamo (IT); Iuav University of Venice (IT).

Books

• 2019
  • ENTREPRECARIAT: Everyone Is an Entrepreneur. Nobody Is Safe. (with a foreword by Geert Lovink and an afterword by Raffaele Alberto Ventura), Onomatopee
• 2018
  • ENTREPRECARIAT: Siamo tutti imprenditori. Nessuno è al sicuro (with a foreword by Geert Lovink and an afterword by Raffaele Alberto Ventura), Krisis Publishing

Publications

• 2021
  • “Tra lockdown e lock-in”, with Geert Lovink, Assembramenti, #0
  • “The User Condition: Computer Agency and Behavior”, https://theusercondition.computer/
  • “Missing Out on Dutch Design Week”, Het Nieuwe Instituut
• 2020
  • “Il design diluito”, Menelique, #4
  • “Gig Economy Art and Its Dark Matter”, in Hyperemployment, Domenico Quaranta, Janez Janša (eds.), Nero
  • “Tra Survivorship Bias e la Pimpa, storia di un meme che non ce l’ha fatta”, Esquire Italia
  • Leggendo qua e là, La quarantena enigmistica, Nerto
  • “L’ère de l’entreprécariat”, Le Grand Continent, translation by Olivier Lenoir
  • “Noi, professione mitomani”, Esquire Italia
  • “Post – the Poster. A conversation between Freek Lomme, Silvio Lorusso and Max Bruinsma”, Onomatopee
  • “Idle Enchantment: Getting a Nintendo Switch During Lockdown”, Obieg
  • “Ori and The Blind Forest, a minute and a half of gameplay”, npc.cafe
  • “Ori and The Blind Forest, un minuto e mezzo di gameplay”, Ludica
  • “Baba Is You, Everything and The Supreme Fear”, npc.cafe
  • “We don’t want to get care from people who are not taken care of”, MoneyLab blog
  • “Baba Is You, Everything e lo spavento supremo”, Ludica
  • “Remote Work? Demand Dial-Up”, Platform BK
  • “Mi sono riscoperto gamer in lockdown, a 35 anni”, Esquire Italia
  • “Angry Birds vs Flappy Bird: On Action and Behaviour”, npc.cafe
  • “Interfacce aviarie: Angry Birds vs. Flappy Bird”, Not
  • “Dispatches from the Quarantine”, with Geert Lovink, Institute of Network Cultures blog
  • “The Other as Noise”, Real Life Magazine
  • “La società servile di massa”, Not
• 2019
  • “La regola di A G Fronzoni”, Progetto Grafico #35
  • “The Oxymoron of the Academic Zine”, Making Public blog
  • “Hack Thyself”, Volume #56
  • “L’attivismo per timidi di Introfada è un manifesto speculativo per una nuova democrazia”, cheFare
  • “Triggerati dal rumore di una gomma da masticare”, Not
  • “Federated Publishing: Roel Roscam Abbing in conversation with Florian Cramer — A Report”, Pervasive Labour Union Zine #13
  • “L’Anti-Game, tra Baricco e Bifo”, Minima&Moralia
  • “On Design and Disillusion”, Design School: After Boundaries and Disciplines, Paul A. Rodgers, Craig Bremner (eds.)
• 2018
  • “The Designer Without Qualities”, Extra Curricular, Jacob Lindgren (ed.)
  • The Techno-Galactic Guide to Software Observation (contributor)
  • “First as Arts, Then as Tragedy — Two Cents on Personal Crowdfunding and Creative Entrepreneurialism”, MoneyLab Reader 2: Overcoming the Hype, Inte Gloerich, Geert Lovink and Patricia de Vries (eds.)
• 2017
  • “LinkedIn Society”, Modes of Criticism 3, Francisco Laranjo (ed.)
  • “What Design Can’t Do”, the Entreprecariat
  • “La città dell’iperlavoro, Prismo
  • “Squatting the Continuous Office”, Immaterial Labor Union Zine #7, Lídia Pereira (ed.)
  • “Il graphic design tra automazione e relativismo”, CheFare
• 2016
  • (-: Mood-Hacking :-), Immaterial Labor Union Zine #6, Lídia Pereira (ed.)
• 2015
  • “The Radical Potential of Networked Standardisation”, Code—X – Paper, Ink, Pixel and Screen
  • “Devi proprio leggere questo articolo?”, Prismo
  • “In Defense of Poor Media”, Printed Web 3, Paul Soulellis (ed.)
  • Natural Gestures, Gauss PDF
  • “Siamo uomini o algoritmi?”, Doppiozero
• 2014
  • From Print to Ebooks: a Hybrid Publishing Toolkit for the Arts, DPT Collective (contributor)
  • “Critical Publishing Il progetto come strumento di indagine degli ecosistemi editoriali nell’era dell’utente emancipato”, Diid 57|14: Design Open Source
  • “What does learning, and learning design, mean to you?”, with Giulia Ciliberto, About Learning and Design, bu.press
  • “Off the Press – A Report from the Field of E-Publishing”, Metropolis M
  • “From browser’s cache to the human genome. Towards an extended notion of publishing”, Digicult
  • “          ”, See Nothing Volume Three
  • “Collate and the Future of Publishing”, Collate
  • “Dalla cache al genoma umano – Verso una nozione estesa del pubblicare”, Fahrenheit 39
• 2013
  • “Dal white cube all’Apple Store”, Doppiozero
  • “56 Broken Kindle Screens”, with Sebastian Schmieg, Krisis | Orientation
  • “Roberto Casati e il progetto della lettura”, Doppiozero
  • “The Book as Directory”, Digital Publishing Toolkit
  • “Quando il lettore diventa utente”, Doppiozero
  • “Brevi note sulle risposte artistiche ai mutamenti nel campo dell’editoria”, Fahrenheit 39
  • “Back to Students”, Abitare 529
• 2012
  • “Interstizi”, OFFSET – Visioni e manifesti sulla città di Ravenna2
• 2011
  • “Carboni e Barilla – Innovazione nella tradizione”, Progetto Grafico 20

Curated Publications

• 2020
  • Here and Now? Explorations in Urgent Publishing, co-edited with Pia Pol and Miriam Rasch
• 2019
  • Progetto Grafico 36: Profano, co-curated with Jonathan Pierini, Gianluca Camillini, Erica Preli, Emilio Macchia, Michele Galluzzo, Caterina Di Paolo, Giulia Cordin
  • Progetto Grafico 35: Sacro, co-curated with Jonathan Pierini, Gianluca Camillini, Erica Preli, Emilio Macchia, Michele Galluzzo, Caterina Di Paolo, Giulia Cordin
  • Progetto Grafico 34: Divertimento, co-curated with Jonathan Pierini, Gianluca Camillini, Erica Preli, Emilio Macchia, Michele Galluzzo, Caterina Di Paolo, Giulia Cordin, Giorgio Ruggeri
  • Python for Designers, by Roberto Arista (editor)
  • Pervasive Labour Union Zine #11, co-curated with Lídia Pereira
• 2018
  • Progetto Grafico 33: Lavoro, co-curated with Jonathan Pierini, Gianluca Camillini, Erica Preli, Emilio Macchia, Michele Galluzzo, Caterina Di Paolo, Giulia Cordin
  • Pervasive Labour Union Zine #11, co-curated with Lídia Pereira
• 2015
  • Progetto Grafico #28 — Publishing, co-curated with Maria Rosaria Digregorio, Silvia Sfligiotti, Stefano Vittori, November 2015

Curated Events and Exhibitions

• 2019
  • Gallery.Delivery Milan: Weird Domesticity (with Luigi Amato, Enrico Boccioletti, Guendalina Cerruti, Kamilia Kard, Lorem, Rachele Maistrello, Filippo Minelli, Parasite 2.0, Elena Radice, The Cool Couple), Milan, IT
  • Do or Delegate: Entrepreneurial Means and Precarious Ends (with Cory Arcangel, Deconstructeam, Constant Dullaart, Andy Kassier, Alina Lupu, Elisa Giardina Papa, Ottonie von Roeder, Sebastian Schmieg, Stefán Stefánsson, Pilvi Takala, Jeff Thompson), Onomatopee, Eindhoven, NL
  • Who Does What? exhibition and symposium (with Florian Alexander-Schmidt, Anxious to Make, Deconstructeam, Constant Dullaart, Maria Eichhorn, Sam Kidel, Alina Lupu, François Girard-Meunier, Elisa Giardina Papa, Ottonie Roeder, Sebastian Schmieg, Jeff Thompson), Drugo More, Rijeka, HR
• 2018
  • Life Hacks: Mind (with Marguerite van den Berg, Geert Lovink, XPUB), Het Nieuwe Instituut, Rotterdam, NL
  • Life Hacks: Time (with Michele Galluzzo, Rik Laging, Luis Rodil-Fernandez, Hans Lammerant, Mia Melvaer, Martino Morandi, XPUB), Het Nieuwe Instituut, Rotterdam, NL
  • Life Hacks: Space (with François Girard-Meunier, WORKNOT!, Roel Roscam Abbing, Manetta Berends, Niek Hilkmann, XPUB), varia, Rotterdam, NL
  • It Is As If We Were Doing Work (with Lídia Pereira, Alina Lupu, Gui Machiavelli), varia, Rotterdam, NL
• 2014
  • Off the Press: Electronic Publishing in the Arts (Manuel Schmalstieg, Six:Thirty, TRAUMAWIEN, The People’s E-Book), WORM, Rotterdam (NL)
• 2012
  • Unlike Art (with Dušan Barok, André Castro, Mirjam Dissel, Eleanor Greenhalgh, Fabien Labeyrie, Jonas Lund, Sebastian Schmieg, Bartholomäus Traubeck, Danny Van Der Kleij, Jasper Van Loenen, Marie Wocher, Dave Young), Amsterdam (NL)

Selected Talks, Presentations, Lectures

• 2021
  • Design & Disillusion: Ghosts and Bees, Paris College of Art, online
  • The User Condition #01, Varia, online
  • Design & Disillusion: A Starter Pack, Post-Radical Pedagogy, Pratt Institute, online
• 2020
  • Fault Lines Symposium, KABK, online
  • Career as Rapid Prototyping, HKB, Bern
  • Home Office: The Work-Work Balance, Robota Center, online
  • Laborious Relationships, with Sebastian Schmieg, Aksioma, online
  • Talking Heads, with Loraine Furter, HEAD Genève
  • Work in Progress, online Q&A
  • Étudier les cultures du numérique, Gaîté Lyrique, Paris, FR
  • Volume #56 Launch, Willem de Kooning, Rotterdam, NL
  • Conversation with Sebastian Schmieg, Panke.Gallery, Berlin, DE
  • Precarious Nights #3, Focus, Arnhem, NL
  • Automate All The Things!, Moderna Galerija, Ljubljiana, SI
• 2019
  • Benzina sul fuoco, Scuola Open Source, Bari, IT
  • New Modes of Production, Rijksakademie, Amsterdam, NL
  • Making Space, Willem De Kooning Academie, Rotterdam, NL
  • Precarious Permanence, Onomatopee, Eindhoven, NL
  • We Are All Entrepreneurs, Brera Design Days, Milano, IT
  • Ghostwriting Files!, Het Nieuwe Instituut, Rotterdam, NL
  • Bring Your Own Time, Bring Your Own Bricks, Onomatopee, Eindhoven, NL
  • Creative Self-Destruction, Hochschule für Bildende Künste Braunschweig, DE
  • Entreprecariat, Sandberg Instituut, Amsterdam, NL
• 2018
  • Work & Play & Insist, Macao, Milan, IT
  • In Defense of Poor Media, Konstfack, Stockholm, SE
  • A-Z Night #7: Future of Work, Nieuwe Zaal, Hasselt, BE
  • Entrepreneurial Spirit, Bureaucreativity and Self-Design, Sandberg Instituut, Amsterdam, NL
  • Be Like Elon during The Graphic Revolution, Pakhuis de Zwijger, Rotterdam, NL
  • Post Digital Printing, FotoColectania, Barcelona, ES
  • The Designer without Qualities, Grafill, Oslo, NO
  • Based In, Het Nieuwe Instituut, Rotterdam, NL
• 2017
  • Zine Camp 2017, Rotterdam, NL
  • Radicality in Contemporary Graphic Design, AMT Southampton, UK
  • All Things Optimal, CIM Warwick, UK
  • A Constellation of -Wares, Techno-Galactic Software Observatory, Brussels, BE
  • The Artist Entrepreneur, Praksis, Oslo, NO
  • Ten Desperate Attempts At Exploring The Medium Of Leisure, Leisure Inc (Silvio Lorusso and Sebastian Schmieg), Berlin, DE
  • Disrupting Precarization, Re:Publica, Berlin, DE
  • Dobrodošli u poduzetnički prekarijat, Drugo More, Rijeka, HR
  • Symposium Citizen-Designer, AKV|St.Joost, Breda, NL
  • The Empire Strikes Again, La Scuola Open Source, Bari, IT
• 2016
  • Welcome to the Entreprecariat, Sandberg Instituut + LustLAB, Den Haag, NL
  • DAN D, Zagreb, HR
  • Thinking Through Publishing, Central St. Martins, London, UK
  • Eady Forum, Royal College of Arts, London, UK
• 2015
  • The Competitive Aesthetics of Failure, MoneyLab#2: Economies of Dissent, Amsterdam, NL
  • Localhost: RWX, Edinburgh, UK
  • Tag Cloud, KABK, Den Hague, NL
• 2014
  • Showcases Digital Publishing Toolkit, Amsterdam, NL
  • The Postdigital Scholar Conference, Lüneburg, DE
  • Post-Digital Publishing. Between Print and Electrons, Willem de Kooning Academie, Rotterdam, NL
  • Biennale Architettura. Weekend Specials: Networked Politics, Venice, IT
  • XYLAB – New Publishing, Castrignano de’ Greci, IT
  • L’arte nell’età dell’informazione: un’introduzione, Pastificio Cerere, Rome, IT
  • The Aesthetics of the Humanities: Towards a Poetic Knowledge Production, Coventry University, UK
  • Incontro con Silvio Lorusso, Accademia Carrara di Belle Arti, Bergamo, IT
• 2013
  • Orient Express: il viaggio nello sviluppo della pratica artistica, Venice, IT
  • LETSPUBLISH, Lecce, IT
  • Fahrenheit 39 – Third Edition, Ravenna, IT

Exhibitions

• 2021
  • Fleeting Media. Publishing Post-Photography, with Sebastian Schmieg, online
• 2020
  • Platform Ghosts, with Sebastian Schmieg, Drugo More, Rijeka, HR
  • Ride Into the Sun, 3rd Industrial Art Biennale, Rijeka, HR
  • Journey into a Living Being – From Social Sculpture to Platform Capitalism, Kunstraum Kreuzberg/Bethanien, Berlin, DE
  • Ouvrir le Spectre: Human Services, PAN!, Limoges, FR
  • Algotaylorism, Kunsthalle, Mulhouse, FR
• 2019
  • Mind the Deep: Artificial Intelligence and Artistic Creation, McaM, Shangai, CN
  • Hyperemployment, Aksioma, Ljubljana, SI
  • The Glass Room, San Francisco, US
  • Not Only Cigarettes, Green Cube Gallery, Viareggio, IT
• 2018
  • Projected.Capital, with Sebastian Schmieg, Roehrs & Boetsch, Zurich, CH
  • To look is to labor, Fotomuseum Winterthur, Winterthur, CH
  • All I know Is What’s on the Internet, The Photographers’ Gallery, London, UK
  • Gallery.Delivery, Berlin, DE
  • Monoskop Exhibition Library, Seoul Mediacity Biennale, KR
  • Lifelong Learning, with Sebastian Schmieg, Drugo More, Rijeka, HR
  • Regime der Vorhersage, Galerie Weißer Elefant, Berlin, DE
  • Ist gut nicht gut genug?, Vögele Kultur Zentrum, Pfäffikon, CH
  • Inside Internet Corridors, Uk Parobrod, Belgrad, RS
  • I am not a robot, Electromuseum, Moscow, RU
  • Policy of Disappearance, Studio Gallery BWA, Wrocław, PL
• 2017
  • PlanD: Techno-Optimism/Techno-Pessimism, Zagreb, HR
  • Escaping the Digital Unease!, Langenthal, CH
  • Floppy Totaal, WORM, Rotterdam, NL
  • #Exstrange, 2017
• 2016
  • Ein Knacks im Leben – Wir scheitern… und wie weiter?, Vögele Kultur Zentrum, CH
  • Free WiFi/ Gratis WLAN, Eigen + Art Lab, Berlin, DE
  • Internet Yami-Ichi, Barcelona, ES
  • Sight & Sound, Montreal, CA
  • Robots Building Robots, Hedreen Gallery, Seattle, USA
  • The Poster Remediated, Warsaw, PL
  • THE POSTHUMAN (Screening), Crosstalk Video Art Festival, Budapest, HU, May 26 – May 29, 2016
  • Streaming Egos, NRW-Forum, Düsseldorf, DE
• 2015
  • Identify me, G12HUB, Belgrade, RS
  • Phaenomenale, phæno, Wolfsburg, DE
  • ISEA 2015, Vancouver, CA
  • WTi 2.0, Kunsthalle Düsseldorf, DE
  • 16th Media Art Biennale WRO 2015, Wroclaw, PL
  • Adhocracy Athens, GR
  • Transmediale 2015: Capture All, Berlin, DE
• 2014
  • Autopoiesis is Greek for self creation, @thehub/#digital3mpire, Düsseldorf, DE
  • Impakt Festival, Utrecht, NL
  • Unmasking the Network, ASC Projects, San Francisco, USA
  • Erreur d’impression, Publier à l’ère numérique, Jeu De Paume, Paris, FR
  • Dans Cinquante Ans d’Ici, Les Territoires, Montreal, CA, March 12 – April 13, 2014
• 2013
  • VJ14, Brussels, BE
  • Chercher le texte, Paris, FR
  • local.#non.access, km temporaer, Berlin, DE
  • SI Fest #22, Savignano, IT
  • 1/18 Poster Exhibition, Belgrade, RS
  • Structures for Reading, Chicago, USA
  • DVD Dead Drop Vol.5, Museum of Moving Image, NY, USA
  • 56 Broken Kindle Screens at Link Point, Brescia, IT
• 2012
  • VAFA – Video Art For All, Macau, CN
  • Projet Octopus
  • Fahrenheit 39 – Second Edition, Ravenna, IT
  • MICRO Festival, Milan, IT
• 2011
  • Fahrenheit 39 – First Edition, Ravenna, IT

Workshops

• 2017
  • Make Book Make Soup, PublishingLab, Amsterdam, NL
• 2016
  • ONE DOES NOT SIMPLY, with Luigi Amato, Fahrenheit 39, Ravenna, IT
• 2015
  • The Mobile is the Massage #3, PublishingLab, Amsterdam, NL
  • The Mobile is the Massage #2, HGK, Basel, CH
  • The Mobile is the Massage with Jacopo Pompilii, IUAV University of Venice, IT
• 2013
  • Post-digital Publishing Workshop, with André Castro, Transmediale, Berlin, DE

As varia

• 2019
  • One evening, Two launches, Three takes , Varia, Rotterdam, NL
  • The Social in the Media: On Digital Dependencies, with Roel Roscam Abbing, Manetta Berends, Cristina Cochior and Julie Boshat Thorez, ODD, Bucharest, RO
• 2018
  • Inter-Planetary File System unearthed, with Cristina Cochior and Julie Boshat Thorez, varia, Rotterdam, NL

Residencies, Commissions, Grants, Awards, Acquisitions

• 2019
  • KABK Research Grant 2020
  • Five Years of Captured Captchas, made with Sebastian Schmieg, was acquired by Fotomuseum Winterthur
• 2017
  • 56 Broken Kindle Screens, made with Sebastian Schmieg, and Blank on Demand, made with Giulia Ciliberto were acquired by the MoMA Library as part of Paul Soulellis’ Library of The Printed Web
• 2016
  • Unpacking my library, commissioned piece for Unfold #4, curated by Alessandro Ludovico
• 2015
  • Social Media Art Award at Phaenomenale 2015, with Sebastian Schmieg
• 2013
  • Residency at Variable F/LOSS Arts Lab, Brussels, BE
  • e-PERMANENT Artist Commission, Brighton, UK
• 2012
  • OFFSET, residency in Ravenna, IT

Thesis Supervision

• 2020
  Filling the Gap. Indagini sul panorama del Graphic Design contemporaneo by Valeria Pugliese (co-supervisor), MA in Communication and Design for Publishing, ISIA Urbino
• 2016
  • Amateur. Non-institutional practices between digital archiving and publishing by Davide Giorgetta and Valerio Nicoletti (co-supervisor), MA in Communication and Design for Publishing, ISIA Urbino

Interviews

• 2021
  • “Les entrepreneurs de demain sont-ils voués à la précarité?” by Sidonie Sigrist, Welcome to the Jungle
  • “Work shouldn’t happen out of fear” by Paul Walsh, Autonomy blog
• 2020
  • “Tentativas de separar perfis de trabalho e pessoais são artificiais” by Leonardo Neiva, Gama Revista
  • “Silvio Lorusso on Labour, Research, Humour” by Joana Pestana and Max Ryan, Scripted Space
  • “Start-up nation et entreprécariat: «S’il y a besoin de se révolter, c’est maintenant»” by Géraldine Delacroix, Mediapart
  • “Work shouldn’t happen out of fear” by Paul Walsh, Autonomy blog
• 2019
  • “Entreprecariat: We are all entrepreneurs. Nobody is safe” by Filippo Lorenzin, Digicult
• 2018
  • “Sorridere affondando” by Gabriele Ferraresi, Sapiens
• 2017
  • Interview in User-Agent: If everything is so smooth, why am I so sad?, Anastasia Kubrak (ed.)
  • “Entreprecariat, Lorusso spiega i pro e i contro di essere imprenditori di se stessi” by Samuele Cafasso, Lettera43
  • “Optimističan sam po pitanju korisnosti pesimizma” by Petra Milički, Dizajn
  • “The Aesthetics of Productive Anxiety: Silvio Lorusso and the Entreprecariat” by Nicola Bozzi, Digimag Journal #75
• 2015
  • Dadabot by Nicolas Nova, 2015
• 2014
  • “Kickended: the enthralling world of crowdfunding flops” by Nell Frizzell, The Guardian
  • Interview by Sara Teleman, Tecknaren
  • The Art of Hybrid Publishing”, interview by the Hybrid Publishing Lab
• 2013
  • “Ashes of the Web” by Filippo Lorenzin in Digitcult

Education

• • Ph.D. in Design Sciences, School of Doctorate Studies – Iuav University of Venice. (Title of dissertation: Extending Horizons: The Praxis of Experimental Publishing in the Age of Digital Networks)
• • Networked Media, Piet Zwart Institute (study period), Rotterdam, NL
• • Visual and Multimedia Communication MA, Iuav University of Venice, IT
• • METU, Middle East Technical University of Ankara (exchange), TR
• • Industrial Design BA at Politecnico di Bari, IT

Academic Projects

• 2018-20
  • Making Public, RAAK-MKB
• 2013-15
  • Digital Publishing Toolkit – Electronic Publishing in the Arts, RAAK-MKB

Board Activities

• 2020
  • External Examiner, Master in Situated Design, AKV|St. Joost (graduation)
• 2019
  • External Jury Member, Design department of the Sandberg Instituut (graduation)
  • External Examiner, Master in Graphic Design, AKV|St. Joost (graduation)
• 2018
  • Judge, HP Research Award, Willem De Kooning Academy

Selected Reviews

• Everyone an Entrepreneur by Giulio Gonella, Volume
• Entreprécariat: de l’entrepreneuriat à la précarité, les deux faces d’un même modèle by Hubert Guillaud, internetactu.net
• Il paradosso di essere freelance by Antonella di Biase, Vice Italy
• Un’exit strategy dal realismo capitalista by Tiziano Bonini, CheFare

Selected Press

• Domus: If work becomes our life
• Libération: «Algotaylorism», plus Web la vie
• Widewalls: Order an Art Exhibition Online and Have it Delivered to Your Home!
• Revue Esprit: De la classe virtuelle aux ouvriers du clic by Antonio Casilli
• European Photography: The European Photography List of 40 Books
• Frieze: What Role Do Photographers Play in an Increasingly Automated Image Culture?
• Leuzerner Zeitung: Wenn die Flügel erlahmen
• Kunstforum 243 (Austria): Totgesagte leben länger
• El Diario: Las vergüenzas de internet, a la venta: el mercadillo negro de la Red llega a España
• Abitare: Natura e artificio al Maxxi by Francesca Oddo
• We Make Money Not Art: DADABOT. The role of algorithms in cultural production
• Corriere della Sera – La Lettura: Crac & Successi – I conti (da rifare) di Kickstarter
• Le Temps: «Dadabot», lorsque les algorithmes produisent notre culture
• Washington Post: Meet the Web site where start-up dreams go to die
• Wired IT: 5 artisti digitali italiani da tenere d’occhio
• It’s Nice That: P-DPA is a user generated archive of developments in digital publishing
• Guardian: Kickended: the enthralling world of crowdfunding flops
• Financial Times: Learn from the losers
• Wired DE: Null Dollar, null Unterstützer, null Erfolg: Auf dem Friedhof der Kickstarter-Projekte
• DazedDigital: Shed a tear over this archive of failed Kickstarters
• BuzzFeed: Kickended, The Online Graveyard For $0 Funded Kickstarters
• Boing Boing: Kickended tracks completely unfunded Kickstarter projects
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• Repubblica.it: Le idee peggiori di Kickstarter: nemmeno un dollaro raccolto
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• Yahoo! Tech: A New Website Highlights Kickstarter Projects That Failed to Attract a Single Backer
• CNET: Kickended: Where $0 failed Kickstarters go to die
• Daily Mirror: Here are the Kickstarter projects that got £0 funding
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